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Archive for January, 2012

I read a lot of YA novels these days. But stand-alone middle grade fiction was a my first love…

I’ve recently read two middle grade novels that reminded me of that love:

HOUND DOG TRUE by Linda Urban and WITH A NAME LIKE LOVE by Tess Hilmo.

For the most part, my reaction to each of these books was…. Awww and a big sigh of contentment. (Except, I must admit, for the frog issues in With a Name Like Love.

A few things that I think made a middle grade novel a middle grade novel (and love-worthy).

  • The main character is at a transitional stage of life, on the verge of something new.
  • His/Her role within the family is changing as he/she prepares to step out into the world.
  • The story involves an awareness of his/her individuality.
  • The story reveals simple acts of courage – the main character wants to do – and does – the right thing.
  • Animals and pets are crucial.
  • There is a very special and definite clarity of language.

I believe middle grade fiction has a tremendous amount of power. They are the reasons readers keep reading later in life. They guide and entertain and model ways to be and to act. Middle grade readers are passionate about the books they love. They believe them with a fierce sort of intensity.  These books can change the world, one reader at a time.

Sarah Wones Tomp

WRITING ON THE SIDEWALK

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On Tuesday I packed up my pear tree and headed to the Mt. View/Beckwourth library here in San Diego. The librarian had recently received a grant to help promote literacy and invited me to speak. I was truly honored to be asked.

Preparing for this program was a bit of a challenge. Since this was a new program, the librarian was not certain of how many, or what type of  people would show up.  Would I be facing a room full of budding writers or a group of children? How many people would attend? Would it be 3 or 30? We really didn’t know. The library purchased 20 copies of my book to give away, so we were fairly certain we would have some children but how many? No one knew.

I decided to prepare for every option. I brought the pear tree and extra story books for the little ones. I also packed the curriculum guides and information to share with the adults. This proved to be a smart move.

The turn out was great. We had about 12 children, and another 20+ adults show up. We had several budding writers, a school librarian, and a teacher in the group. I ended up creating a hybrid program where I did the children’s portion, signed the books and then spoke with the budding writers after the program.

My favorite part of the program was meeting Benjamin, a budding 6 year old writer. Benjamin loved books and according to his dad, wrote all of the time. He sat front row center for the kids portion of the program and answered every question. He volunteered whenever I needed help and was the hit of the show. It was clear that Benjamin loved stories and wanted to write some of his own and that he a great support in his dad.

At the end of the evening, as I waited for the car to warm up, Benjamin walked by and frantically waved. He looked at his father and said, “I want to do what she does.”

He really made my day,

Suzanne Santillan

Writing on the Sidewalk

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I need to get something off my chest.

Yesterday the American Library Association presented their 2012 Youth Media Award winners. These awards honor children’s and young adult authors, illustrators and producers of children’s audio and video materials. These awards include: the Coretta Scott King Book Awards, John Newbery Medal, Michael Printz Award, Randolph Caldecott Medal, Schneider Family Book Awards and 13 other distinguished awards for youth literature.

These awards are recognized worldwide for the high quality they represent and serve as a guide for parents, educators, librarians and those interested in providing youth with the very best reading and viewing materials.

I wasn’t able to watch the live feed, so I went to my computer to search for the winners, and after some diligent searching, was only able to  find the list on a few sites.

Why aren’t we shouting this from the rooftops?

I find it sad that my browser offered me posts on “6 Delightful Island Escapes” and “Easy Delicious Dinner Recipes,” but they could not list the top children’s books?  I am more likely to buy the children’s books than go on the delightful island escape and I’d love to know which books are the best before I buy them.

The truth is, I know many people are probably more interested in the other posts and that makes me very sad.

Me, I’ll take the books.

Suzanne Santillan

Writing on the Sidewalk

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Each morning Luna and I take basically the same walk. We walk the perimeter of our housing development, seeing a lot of sameness. The houses looks like a lot of the same – something our homeowner’s association takes very seriously. The landscaping is a lot of the same. And we see a lot of the same people/dogs/even cars. I don’t mind the same because I’m not walking for the view, mostly I’m deep inside my head during these walks and Luna seems to always find worthwhile sniffs and smells.

But this week I went back to work after a month break and our time for this walk has changed. Back to walking in the dim dark of too early. We see our old familiar people/dogs/cars, but this time I’m missing a couple of changes from our later walks. (BTW, Tam and Sharry each wrote lovely posts on light and dark over at Kissing the Earth.)

A cat and a pig.

During the later morning walks, there was a stretch of our routine walk where a young cat would join us. Luna likes cats, actually, but most won’t let her say hello. So of course I was surprised the first few times that this cat showed such confidence in approaching a dog. It would walk with us for a stretch before stopping and letting us go on. After a week or so,  we started to anticipate and look for our kitty-friend. One day the cat jumped out from a bush and seriously startled us – and then I swear, the way Luna and her friend moved, it was the equivalent of canine/feline laughter. So so funny.

And not far beyond the cat spot lives a pig. A giant, pink, with folds and folds of fat, pig. Not pot-belly. Not piglet. Pig. It’s not as predictable as to when we might get a glimpse, but we were lucky enough to see a few times of rooting in the dirt. I have no idea why someone would have a great big enormous porcine companion in our neighborhood. But, it was still fun to see – and to see Luna cock her head in such confusion.

But now that we’re back to walking so early, we don’t see our kitty friend. I wonder if it looks for us?

When I first started writing, I could – and did – write anywhere. On anything. I’d jot down little bits of things while waiting for my kids. Or standing in line at the grocery store. Early morning, late at night. Nap time.

Then I got more serious and disciplined, especially once I was writing for the VCFA program. I developed a routine.

But then I couldn’t write if I wasn’t in my routine. It had to be in my spot, at the same time of day.

Lately I’ve been scribbling more. At random times, on scraps of paper and in way too many different notebooks. It feels good. Messy, but organic. Kind of like a pig.

Today I’m going into work a little later than most days. I think Luna and I will walk a little later too. Maybe we’ll see our kitty.

Sarah Wones Tomp

WRITING ON THE SIDEWALK

 

 

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Suzanne Morgan Williams spoke on Research Tips for Writers at the San Diego SCBWI meeting on Saturday.

As the author of several non-fiction books and the tween novel, Bull Rider, she had a wealth of information to share. Entertaining and well-spoken, I found her tips on research and considerations for cross-cultural writing relevant and helpful, for writing both fiction or non-fiction. She’s had some very interesting experiences and travels in order to get her books right. Her trips to the arctic sound utterly amazing! Place and setting are significant to her process.

In addition to her very practical tips, the two points I hope everyone heard:

  • Respect your topic, subject, theme.
  • Be open to moments of serendipity.

Her novel Bull Rider, is captivating and poignant. And really important. From the book jacket:

Cam O’Mara, grandson and younger brother of bull- riding champions, is not interested in partaking in the family sport. Cam is a skateboarder, and perfecting his tricks — frontside flips, 360s — means everything until his older brother, Ben, comes home from Iraq, paralyzed from a brain injury.

What would make a skateboarder take a different kind of ride? And what would get him on a monstrosity of a bull named Ugly? If Cam can stay on for the requisite eight seconds, will the $15,000 prize bring hope and a future for his big brother?

Cam is a character who takes action and cares deeply about his family – but from what felt like a very authentic boy perspective. No melodrama, no over-the-top emotion. Just a digging in and doing what he can. Bull riding is something I know very little about – I found that whole world/culture fascinating.

I think Ms. Williams does a fantastic job of informing readers of the challenges families face in helping loved ones deal with life-shattering injuries. Unfortunately, that is a increasingly prevalent scenario in our country.

It just so happened – that serendipity thing, perhaps – that last week I was stuck waiting somewhere without a book and happened to pick up a DAV Magazine. (Subtitled The Official Voice of the Disabled American Veterans and DAV Auxiliary). In there I found an interview with photojournalist Danfung Dennis about his film, “Hell and Back Again.” Dennis accompanied a US Marine Corps unit in Afghanistan and then continued to document the homecoming and recovery of one injured Marine.

Some points that stand out:

  • The experience of war isn’t simply on the battlefield. It is also that transition home.
  • Only 1 % of Americans serve in the military.
  • (For most of the country) The war in Afghanistan is an idea, an abstraction, far away, distinct, complex and does not affect their daily lives.
  • Our country has been at war for nearly 10 years, and it doesn’t feel like it.

Here are two different ways of helping us understand a little better what our military families endure.

Sarah Wones Tomp

WRITING ON THE SIDEWALK

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I am pleased to announce the upcoming release of “Beep and Bah”  the newest book from author James Burks.

Beep and Bah   

By James Burks

©2012 Carolrhoda Books

Here is the description of the book:

Beep is a robot who hungers for adventure. Bah is a goat who wants to stay out of trouble. When Bah discovers a single sock, Beep knows there’s only one thing to do: find its match! Together, Beep and Bah begin a winding journey that takes them up high hills and into the deep ocean. On the way, they‘ll meet monkeys, whales, and angry bears—but will they find the missing sock?

Today we have the honor of interviewing the stars of this fun, rollicking tale. We have been warned that Mr. Bah is sometimes difficult to understand, so Mr. Beep has graciously agreed to translate:

 Beep and Bah is scheduled for release on March 1, 2012. Be sure to keep your eye out for this hilarious book.
Happy Reading,
Suzanne Santillan
Writing on the Sidewalk

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The December meeting for our SCBWI- San Diego chapter features local published authors sharing lessons that they have learned throughout the year. This is a highly informative meeting and I always come away feeling truly inspired. This year, local author Karen Coombs shared her experiences of turning an out of print book into the ebook “Bully at Ambush Corner.” I was inspired by her story and invited Karen to visit with us on the Sidewalk

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Karen’s Bio:

Karen Mueller Coombs is the author of nine published fiction and nonfiction books for children and young adults. Born in Wisconsin and raised in Northern Alberta, Karen is a former elementary school teacher now living in Southern California, where she ice curls and plays golf when she isn’t reading and writing.

Author Spotlight:

WOTS: Can you tell me a bit about your writing process? Do you plot or not?

KMC: I’m definitely not a plotter. I usually have an idea of how I want the story to end, but the road between the beginning and that goal often goes back and forth and around and around. I’m like a night traveler with a lantern that illuminates only a teeny bit of the dark path ahead. Fortunately, both the traveler and I can reach our destinations one step at a time, and if I’ve created characters with enough depth and breadth, and if I love and trust them, they will lead me in the right direction. I admire people who plot out an entire novel, scene by scene, before they write the first sentence. I think I’d lose my enthusiasm for the work if I did that. I seem to work best by hurtling down that dark path and getting excited by the ideas I stumble over on the way.

Because I don’t plot, I once had an unnerving experience. I was working on the first draft of a middle grade novel and was excited about what was going to happen next, but didn’t make a note of it. Why should I? It was such a marvelous idea, I couldn’t possibly forget it. Ri-i-i-ght! Life intervened and I didn’t get back to the story for a few months. By that time, my wonderful plot point had dribbled out of my brain. An excellent—though frustrating—lesson. When you have a brilliant idea, write it down no matter how much you trust your memory!

WOTS: Are you working on any new projects that you can tell us about?

KMC: I have quite a few manuscripts underway. Some are picture books, which I’d love to see illustrated and published, but which I forget to submit. (Did I mention brain dribble?)

I have a humorous, young adult contemporary novel circulating among agents and editors. The main characters are two 15-year-old boys. An agent is interested, but wants a revision, which might require me to restore at least one of the two subplots I had previously cut, but which I WROTE DOWN. The story is cleaner without the subplots, but I don’t think it has as much depth, which is what the agent felt too.

Currently, I’m totally engrossed in revising a middle grade historical fiction set in the west in the late 1800s. This has been a long-term project, and I believe this rewrite is the version it was meant to be. Gee, if I were a plotter, I might have reached this point sooner. But by working slowly, I’ve really gotten to know my hysterically funny, rebellious main character (based on a real person) and to enjoy her company longer. When this book is finished, I’ll miss having her rattle around in my head and sharing her hair-brained schemes, which are meant to solve her problems, but which only complicate her life.

The latest project is an eBook collaboration with a group of other published writers. We are banding together and working with an eBook coordinator to update and publish our out-of-print biographies under the series heading Spotlight Biographies.

WOTS: Describe your studio or usual work space for us.

KMC: In high school, I had a home economics teacher who daily drilled us on the maxim, “A place for everything and everything in its place.” Since I’m an organized person who has difficulty thinking straight if I’m surrounded by a mess, in my office everything does have a place. That being said, I’ll confess that when I’m in the middle of a number of different projects, my desk looks like someone tossed a recycling bin on it. However, I am very, very fortunate to have a dedicated office of my own, with lots of desk space to litter, book shelves all around, and all the necessary equipment, paraphernalia, and reference books at hand. I have windows on the south, and French doors on the east looking out on a fountain, whose trickle I find soothing when the writing’s not going well, and which attracts an entertaining parade of birds that ruffle around in the water or sit at the edge and take dainty sips when they aren’t at the nearby bird feeder. Once, flocks of crows decimated the feeder on a regular basis, digging in with their greedy beaks and flinging out the seed as fast as we could add it, so it’s now covered with a plastic grid that allows the smaller birds to go through or behind, but keeps the crows out. It was fun watching the crows’ first visit after the barrier was added, trying to come up with a way to get past it. Now they seldom bother to come. Fast learners, crows.

On my office walls, there is a print of the loaded shelves and the spiral staircase in the Trinity College Library in Dublin for inspiration, two prints by Canadian “Group of Seven” artists A.Y. Jackson and Tom Thomson, which remind me of home, and another of shaggy Highland cattle, which reminds me of my heritage. Writing awards, family photos, and handmade gifts from my children when they were small are scattered around the shelves. But my pièce de résistance is a housekeeping doorknob hanger I pinched from a hotel in Scotland. Whenever I don’t want to be bothered, I close my door to reveal the hanger, which does not say, “Privacy Please,” but the more direct, “Leave me alone.”No one pays it any mind.

WOTS: What profession other than your own would you like to attempt?

KMC: There are quite a few professions I would have loved to attempt. Heck, since I’m still trying to figure out what I want to be, perhaps I’ll still try them!

When I was about to graduate from high school, the career counselor called me in to discuss my career plans. I told her I wanted to be an interior designer. Why? Because I had recently seen a movie that made that job look romantic and exciting. Wonderful logic!

The counselor never looked at my grades to see where I excelled. She never suggested journalism or creative writing, or even teaching, so off I went to college to study interior design, completely forgetting that my tenth grade English teacher had told me I could make my living as a writer. If only I had known how many different kinds of jobs existed in that field.

It wasn’t long before I was getting F in furniture design—because I couldn’t remember a Queen Ann-style leg from a Victorian—and getting A in English and psychology. I ended up becoming a teacher, because I didn’t know there were such jobs as journalist, columnist, or foreign correspondent, careers I might still choose if I go for a do-over.

However (shhhh, don’t tell), my longtime secret, secret dream was to be a singer. A country western singer. What stopped me? The big hair and big skirts they wore back in the day. What stops me now? My voice dribbled away like a certain plot point, going from mellow to screech.

WOTS: What’s one thing that most people don’t know about you?

I’m an avid ice curler who is able to feed my passion because there is a curling league in San Diego. We don’t have a dedicated curling rink, so use arena ice. But for those of us who love the sport, it’s still curling, and we’re grateful to be able to slide, sweep, and, occasionally, crack our heads. Had curling been a viable profession when I was in high school, it would have been my number one career choice, relegating the country western singing to the shower. And if curling had been an Olympic event back then, I would have aimed for that. Two of my loves—curling and the Olympics. Heaven!

And for those of you who think curling is a boring, wussy sport, please join us. You’ll learn how much of the game depends on skill and strategy. And I’ll provide the Tiger Balm.

WOTS: Your recent ebook release, Bully at Ambush Corner, is a revision of a previously published book, can you tell us what led to this decision?  

KMC: For a few years, life was crazy and demanding, and I wasn’t able to write. When I returned to it full time, the business had changed. (Plenty has been written about how different it is today for writers trying to sell their work, so I won’t go into that.) Where once my manuscripts would easily have found a publishing house, now I struggled to get an overworked agent or editor to even read them. I am persistent, determined, and a hard worker. (I’m a Taurus, after all.) But my efforts seemed to be getting me nowhere. Frustrated, I began paying attention to all the talk of eBooks, and decided my out-of-print books might be worth converting to that format. From my middle grade novels, I chose Beating Bully O’Brien for my initiation, because the topic of bullying is timely and timeless. I chose BookBaby to design the cover and do the conversions to all formats. After a revision, the greatly improved book, renamed Bully at Ambush Corner, was published on November 1.

 WOTS: Can you share some of the highs and lows of republishing a book as an ebook?

KMC: Publishing my ebook was a wild roller coaster ride. The same challenge could fit both the high and low category. For example, for a (recovering) control freak it’s a definite high knowing I had complete control of the entire book, cover included. At the same time, complete control meant I also had full responsibility for the book’s failure or success, because promoting it fell entirely on my shoulders. A definite low.

Getting the perfect cover design was a challenge for me. The first cover samples from BookBaby seemed too busy and the characters didn’t match their descriptions. I ended up spending hours and hours on Photoshop designing the cover myself. A downer. But the final results are exactly what I had in mind. An upper.

Release day was more anxiety-producing than for any of my previous eight books. I knew I hadn’t done as much preliminary promotion as I should have. I wasn’t even sure what kind of promotion I should be doing and was playing catch up as quickly as possible. Then, when I discovered errors in the book, I immediately went into a massive stomach clench. (You can read about that on my blog.)

One difficult aspect of my journey through eBookville is the lack of feedback I’m getting to date. Because I used a third party to convert and submit my manuscript, I don’t get sales figures directly from the booksellers, but have to wait until BookBaby receives them and sends them to me. So I have no idea if or how many books are being sold. Patience. Patience. Gr-r-r-r-r.

The biggest challenge, however, is the promotion itself. It takes oodles of time to contact news outlets, to blog, tweet, and post on Facebook, and, to date, there is little to indicate if my efforts are going out into a big black void of silent indifference. An invitation to guest on another blog, such as Writing on the Sidewalk, is a massive high.

Weighing the highs and lows, would I do it again? Sure. It’s great knowing my out-of-print books can be made available to a new generation of readers. Double darn sure I’d do it again if sales reports indicate I might actually earn some money. And since we’re already moving ahead with the Spotlight Biographies series, whose first book is soon to be released, I guess I’m committed. Here’s hoping.

WOTS: We here at Writing on the Sidewalk tend to procrastinate with our writing, where do you fit in Procrastinator or Proactive?

KMC: Both. When I have a book underway, I’m eager to get to my office and write. In between, not so much. I’ll dither and dawdle, toy with different ideas, organize a lot of cupboards and drawers, play computer games, and read. And that last act is the one that gets me back to my desk. Then, once I have seat of pants on seat of chair, I remember how much fun writing is and I get enthusiastic about a new idea, a new book. So, for me, first comes the perspiration, then the inspiration. If I waited to be inspired, I’d never write. Occasionally I’ll come up with an idea that sends me scampering to my computer, which is what happened with my current YA contemporary, but usually I dive in first and then I get fired up about my work.

A quotation by Emerson is posted above my desk: “May the work that you do be the play that you love.”

When it comes to my writing, that says it all. Now excuse me while I go and play.

WOTS: Thanks Karen for visiting with us today.

If you’d like to learn more about Karen or her book Bully at Ambush Corner please be sure to check the following links:

www.karencoombs.com

www.bullyatambushcorner.com

Happy Reading,

Suzanne Santillan

Writing on the Sidewalk

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Several months ago, my husband Ken composed the music for a book trailer for Beep and Bah (Carolrhoda, 2012), the newest book by author James Burks. We have been eagerly waiting for the publisher to give us the go ahead to share the video and that day is finally here. I know I’m biased and a proud wife, but I think he did a great job!

I was so enchanted by the illustrations in this new book, I asked James to do a special interview. The interview will be posted on Thursday.

Happy Reading,

Suzanne Santillan

Writing on the Sidewalk

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The full title explains more fully: Second Sight: An Editor’s Talks on Writing Revising and Publishing Books for Children and Young Adults.

An executive editor for Arthur A. Levine Books, an imprint of Scholastic, Cheryl Klein hosts one of the most generous websites I’ve visited. She posts transcripts of her talks as well as tools for writers to use in improving their craft. For example, The Plot Checklist. Ms. Klein is thoughtful about the process of editing and articulate in explaining her process. I must admit, I’ve been a silent fan-girl for years.

I received Second Sight as a Christmas gift – requested, of course – and it already feels like a gift that will keep on giving. My biggest problem with it is that it needs to savored. And yet, I am impatient. I want to read it all now. And to understands it all, now. I want to be the kind of writer she respects. Now. Now. Now.

But I must allow time to digest and process.

Initial Thoughts:

  • Her talks, presented as essays, are deep, thoughtful and practical – they remind me of some Vermont College lectures. She’d fit right in on that campus.
  • She provides insight into the editing/revision process of working with amazing writers such as Francisco X. Stork and Lisa Yee. Spoiler alert: there was a lot of work done to make their books brilliant.
  • Second Sight is a nice blend of philosophy and theory with practical step by step tips for improving your writing.
  • Some of my favorites (to be savored and examined more closely): The Art of Detection where she introduces the steps of TRUCK: Techniques of Revision Used by Cheryl Klein; Four Techniques to get at the Emotional Heart of Your Story;  Twenty-five Revision Techniques.

And… she led me to Jennifer Crusie’s delightful and whimsical book collages – except they are oh so much more than glue and paper. Field trip, SBB?

Highly recommended.

Sarah Wones Tomp

WRITING ON THE SIDEWALK

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It’s here – and I’m a few days late, but Happy New Year!

I always resist making resolutions. Instead of making me feel hopeful and motivated, they serve to remind me all the ways I’m not where I’d like to be.

And now I’m suddenly feeling anti-New Year post, too.

Instead… here’s a spontaneous collection of small moments I remember from books read this year. The  magic is in the details…

  • The reason Doug Swieteck doesn’t want to take his shirt off in gym class. (Okay for Now)
  • The family Ellen Foster picked out. (Ellen Foster)
  • Being achingly curious with both Dash and Lily. (Dash and Lily’s Book of Dares)
  • Rat snuggling in to sleep. (Trash)
  • The wooden heart Sam made for Emily. (I’ll Be There)
  • Being terrified for Cat on her own couch. (Shine)
  • Falling in love with Etienne St. Clair even though I barely liked him. (Anna and the French Kiss)
  • Having the biggest literary crush of my life on Eldric. (Chime)
  • Wishing Tamara could be friends with Gilly Hopkins. (Neil Armstrong is My Uncle and Other Lies Muscle Man McGinty Told Me)

Here’s to many more excellent books in 2012!

Sarah Wones Tomp

WRITING ON THE SIDEWALK

 

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